In my recent post featuring a sympathy card I commented on the inspiration of Downton Abbey’s ruddy and wine hued dresses for my piece; the year is 1924 in Season 5 and I had been noticing the frequency of reds, oranges, as well as deep blues in the long, tubular, Grecian-style dresses worn by many of the characters. Curious about this and knowing that the fashion will change pretty dramatically by 1926 (including hairstyles), I decided to seek out some historical photos and information about the designs of the time. That search led me to this wonderful website, Witness2Fashion. It is beyond exciting to find this wealth of research and these primary source images, including patterns, covering a variety of eras. I just had to reblog the entry that follows as an addendum to my most recent post. Enjoy and do check out this fabulous site if you love history and fashion!
It isn’t news that certain colors — and color combinations — go in and out of fashion. But the combination of orange and black is now so strongly linked to Halloween that it’s a surprise to find it on dresses for spring in the mid-1920s.
Dresses for women aged 14 to 20, February 1925. Butterick pattern illustrations from Delineator magazine.
These young women are enjoying a box of Valentine’s Day candy. Early twentieth century color printing was not based on the CMYK [Cyan, Magenta, Yellow, and Black] inks we use today, so illustrations from the twenties often have an autumnal quality compared to the bright colors we are used to. Nevertheless, the red valentine hearts show that the dress on the right, above, is definitely orange, with black trim. The same color combination was suggested for older women, too:
Fashions from Delineator, April, 1924. Butterick pattern illustrations.
This evening as we walked into the deserted streets of a quaint Seattle neighborhood, the sky lit up with fireworks and exploded with cheers from every bright highrise, home, and bar. I imagined for a moment that they were all celebrating my entry into a new decade, and it made for a rousing end to a lovely day. Of course, in reality, the swell of voices and flashes of fire followed the final moments of a Superbowl that seemed to rally an entire city, even the least likely of fans.
While it was frustrating to find store after store closed or closing early, and a favorite restaurant where we’d planned to have my birthday dinner shuttered for the game, it was hard not to get just a little caught up in the momentary excitement. Perhaps it was the energy of the 12th man (and woman and child) that emboldened the Seahawks. It certainly seemed the Broncos never had a chance. So the sun smiled on Seattle today, a good omen for the game, and more importantly, a good omen for my new year, I hope!
So in my previous post about the creative journey, I discussed the concept of letting a piece “get cold”. I really need to do this more with my work. There is an urgency in the virtual world, or more so an urgency prompted in one’s self by the virtual world, that can get in the way of the creative process.
After I created this card, I kept looking at it and thinking something was missing…
I decided the embroidery hoop was just too empty; it didn’t look or feel right. So I took a deep breath and filled the circle!
Better? I think so. And while I am being a bit hyperbolic about taking a deep breath (it’s not like I couldn’t distress ink another panel and re-stamp!), this is one aspect of working with visual media that has always scared me–the lack of control one has over a piece. Painting, creating mixed media, there is always that possibility of going one step too far, setting down the ink or paint, or adding some element to a nearly finished product that could “ruin” the whole thing. When I think back to art classes in my youth, I felt the same way–unsure about the next step, over-thinking or under-trusting my decisions. And certainly there are those opposite moments where the happy accident occurs.
But it’s not the same with writing. There is so much more control. Put down a word, delete, leave it, write on, come back–no matter. The written work is malleable. And it is certainly much more comfortable if not necessarily easier for me to execute. I will likely be back to tinker with this entry at some point…
So the discomfort and moments of wonderment (Oh, I could have done it that way?!) will continue to accompany me on this journey as a paper crafter. And in all honesty, I am enjoying the challenge.
Speaking of challenges, I finalized one more card for the Purple challenge over at CASology. I used the window screen technique a la Make-it-Monday for this card as well. It is my homage to the month of May, lilacs, and Mother’s Day!
The cover plate is from Lil’ Inkers. I love this die. The vine flourish is Spellbinders. Lilacs and sentiment are from WPlus9 Fresh Florals, stamped with pigment inks. The banner is from a great Spellbinders set of 4 ribbon banners.
The back was finished off with some washi– it looks more yellowed in the photograph, but it is closer in color to the green paper on the card’s front.
And speaking of florals, I dropped into the exquisite Drygoods Design in Ballard today. I adore this store; they have a wonderful selection of fabrics, cards, notions and the owner is just as nice as can be. Look at these Liberty of London fabrics–I am still drooling over the red in the floral pattern on the right.
The store is attached to Anchored Ship Coffee, a darling bright spot to sip in the western sun and think about fabric…
I couldn’t leave empty handed, of course! So I bought this delightful fabric:
It’s called “Cat’s Dream” by Andover Fabrics–notice the balloons? Purrfect birthday fabric for a crazy cat lady, no?
Oh, and Andover Fabrics is the company responsible for the new line of Downton Abbey fabrics inspired by Lady Mary, Edith, Sybil, and the Dowager Countess! Read all about it here!
Speaking of Downton, I am off to see if the latest episode is ready to watch online.
Hello everyone! It’s black Friday here, but you’ll find me nowhere near a store today! I am happily home, updating my website, soon to be crafting and later teaching, as I digest the lovely dinner we had at Seattle’s Sorrento Hotel last night! They had WWI and Roaring 20’s era menus displayed along the walls, and I captured the image of one of them below.
I haven’t been online much in the past week as I worked furiously to complete the following sewing and paper craft projects to send to my family in New York for their Thanksgiving table.
No Big Dill’s gorgeous website provided the tutorial for getting these just right. Check out Katy’s website and you won’t be sorry! It’s a feast for the eyes.
Here are all the napkins rolled up and presented in their lovely wrapping! For these tags, I used My Favorite Things wine tag die, Impression Obsession leaf dies, “Thanks” die from Paper Smootches, Gina K. Cocoa paper, and corrugated card stock for the base. Some burlap ribbon and sequins provide finishing touches.
I also used this wonderful negative die cut for my World Cardmaking Day card, here.
You can see in this photo the 3-D effect I created on the tags with sentiment and leaf.
All of the chocolate gift wraps have different paper inside—for this one above, I used the birch embossed paper from Ellen Hutson and colored it with Distress Inks “Walnut” to match the stamp.
My mom received the special one, originally featured here, since it was just her birthday! I packaged up some leaf confetti as well to spread on the table!
Finally, I gave them some felted acorns (which I did not make), packaged in a kraft pillow box that I embellished with the Neat & Tangled Simple Christmas stamp set. I was a bit heavy-handed with the pine cone and bough! It is a bit hard to see, but the white winter berries are embellished with some glittery embossing powder.
My little leaf-jumping squirrel sketch (originally posted here) found a home on this card that accompanied the gift. The bottom is adorned with an EK punch.
I am so thankful you stopped by to view my creations! Your comments and questions are much appreciated!
I hope your Thanksgiving, if you are in the States, was fulfilling and that you are carving some time (and maybe some left-over turkey!) to create today!
Good Evening! As I write that, I am thinking (hoping) that it will indeed be one for me, as I powered through 8 hours of teaching today on about one hour of solid sleep last night. Ahh, insomnia! During our long weekend on the Olympic Peninsula, I slept well and was inspired by our walks in nature and exploration of new and familiar places. How quickly all that rejuvenation can be undone by one sleepless-in-Seattle night! I hope you will forgive my poor sentence fluency as I muddle through this entry–less will definitely be more tonight!
Here the current sketch for CAS(E) This Sketch.
Chrissy’s design reminded me of ric-rac, and since my mom’s birthday is coming up, I wanted to make a sewing-themed card because she is an amazing seamstress and has inspired me since I was small (and draped with patterns, poked with pins, encircled with measuring tape!)
So, pinking shears in hand, I played with paper, patterns and placement, and this is the result!
Despite my haze (and haste), I am pretty pleased with how this card turned out! Most of the sewing patterned paper is from Basic Grey; the rest are scraps from an Authentique collection. The sentiment from Savvy is stamped in Color Box brown ink, embellished with a delicious enamel dot that matched the aqua paper perfectly.
It isn’t easy to see here since my photos are a bit washed-out, but the paper embellishment here is a ruler-calendar that says “November” on the bottom. Instead of writing my mom’s birth date at the top of the card, I think I will circle the 19 on the ruler!
I finally put my Technique Tuesday stamps to use for a simple embellishment on the back– LOVE these pins!!
Head over to CAS(E) This Sketch to see some superbly styled cards. This really was an inspiring sketch! And, hey, if you can’t sleep tonight, you still have 8 hours to play along before the challenge closes!